“ […] Very familiar with the ways of reproducing the most sparking effects of real life with oils on canvas, Mirazović freed himself from the urge to recreate reality and took on a role of an alchemist that constructs a new post-human one. Referencing the aspects of life he experienced to be influential, if not crucial for someone’s completion, he started depicting life synthesized from objects and materials that showcase class, wealth, and (hopefully) taste. Marble, porcelain, chesterfield leather upholstery, or Eames chairs turned into uncomfortable shells that confine the humanity as an inherent quality of being a social being and part of Earth ecosystem. With marble veins becoming blood vessels, Delft-blue porcelain representing tattoos, or shiny leather being a resistant but dead-looking skin, the slight scratches, dents, and carvings are barely visible metaphors of the “real” person exiting underneath, eager but incapable to break out. […] “

Saša Bogojev